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"P-Boat: One, U-Boat: Nothing"-Don Feight-Martin Mariner World War II Art

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This picture shows a Mariner over calm seas attacking a submerged U-boat with a low-level depth charge run.
Price: $50.00
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Don Feight

Feight Studios was established in 1994 by Paula & Don Feight inspired by the aerospace and aviation art Don was producing at his job at Lockheed Martin. Don has worked at Lockheed Martin for over thirty-three years as a graphic artist.
Airplanes have been a lifelong passion from his early years living on Air Force bases, model building, and drawing airplanes, through the eventual building and flying of a homebuilt Glasair RG aircraft later as an adult.

Much of the inspiration for Don's aviation art comes from his experiences during as a pilot. The low-level flight over the water in "Madman," the blue hole in the dark storm clouds in "Lightning," and the spinning ground in "Performance" are a few examples of experiences of actual flying used to produce aviation art images.

Unlike many aviation artists, Don's passion is for the aircraft and flying above all else.

Don Feight Signed and Numbered Limited Edition Print "P-Boat: One, U-Boat: Nothing"

The big, tough Martin flying boats were already in service prior to America's entry into World War II and were real workhorses throughout the war in both the Atlantic and Pacific Oceans. Mariners were quickly adapted to the role of anti-submarine warfare against the Nazi U-boat wolf packs in early 1942. Production of Mariners continued until 1949 and they served with the U.S. Navy on into the 1950s during the Korean War before being phased out. This picture shows a Mariner over calm seas attacking a submerged U-boat with a low-level depth charge run. The aircraft's ordnance was carried in a unique bomb bay located in the engine nacelles. It also had the capability of carrying torpedoes under the wings.

A limited edition of 500 printed on 100% acid-free cover stock. Original available. Size is 22"x 28" including a 2" white border.

A Limited Edition print is restricted to a certain number. For example, if 400 prints are made from an original painting, once they’re gone, that’s it. There is no limit to the number of open edition prints of a particular painting. That’s why Limited Edition prints are more expensive — and more valuable to collectors — than "open" edition. Rare objects are more valuable.

All artwork is subject to availability at time of order. Although seller strives to remain currrent as to inventory, seller reserves the right to cancel a sale if item is no longer available at time of purchase.

 
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