His work met immediate success and was showcased at a premiere gallery in the Rocky Mountains. Acclaimed for his paintings of the Old West, he eventually moved to Texas to work full time in the field of historical art. His early art, prints and posters depicting Civil War subjects produced the same enthusiastic response as his Western Art, and in the 1980s John Paul Strain began to concentrate on the Civil War. Few artists in the field have gained such widespread popularity so quickly.
His art, prints and posters are now acclaimed among collectors, who prize his studies of Lee, Jackson, Forrest and other Civil War leaders, as well as his scenes of conflict and pageantry. His distinctive artistic style, which combines bright colors and contrasting shadows, and his devotion to historic authenticity have dramatically increased his popularity. Today, his original art is displayed throughout America and among collectors of fine art limited-edition Civil War prints. Artist John Paul Strain has become an American favorite.
John Paul Strain S/N Limited Edition Print "Rose Hill Raid"
Major John Singleton Moseby
Fairfax County, Virginia - September 28, 1863 The Gray Ghost of the Confederacy was back. Major John S. Mosby commanding the 43rd Battalion Virginia Cavalry, Partisan Rangers, had been seriously wounded in action a number of weeks earlier. Rumors in the North were that Mosby had been killed. No longer would Federal soldiers have to remove the planking from bridges leading into Washington to prevent Mosby from kidnapping the President. But they were wrong about his demise.
Earlier in the year of 1863 Major Mosby's fame grew with the successful raid at Fairfax City, capturing Brigadier General Edwin Stoughton. Now his new plans were to catch an even bigger prize, the Lincoln appointed Union Governor Francis H. Pierpoint. To highlight Mosby's audacity, a note was delivered to Pierpoint warning of impending danger. 'You did not see the farmer who rode by your hotel on a hay wagon yesterday, did you Governor? My driver pointed out your window, and I marked it plain. It's just over the bay, and I'll get you some night, might easy.' The note was signed by Mosby!
Major Mosby and a few Rangers of Company A began their raid to Alexandria in Fairfax County on September 27th with the intent to capture the Lincoln-appointed Governor. After passing quietly through the Federal lines during the night, the raiding party entered the governor's mansion and found that the Governor had been called to Washington. Changing his plans Mosby decided to capture the Governor's military aide, Colonel Daniel French Dulany, who was staying at the nearby Rose Hill Manor. Accompanying Mosby on the raid was D. French Dulany, who was the son of Colonel Dulany.
As the ghosts in gray entered the Rose Hill home they found Colonel Dulany in bed. Young French greeted his surprised father, 'How do Pa-I'm very glad to see you.' Bolting upright, his father replied, 'Well sir, I'm d- sorry to see you.' (Anne S. Frobel's diary) As they were about to leave the home, Colonel Dulany sarcastically remarked to his son that there was an old pair of shoes around the house that he had better take with him, 'as he reckoned they were darned scarce in the Confederacy, whereupon the son, holding up his leg, which was encased in a fine pair of cavalry boots just captured from a sutler, asked the old man what he thought of that.' (A letter from Mosby to his wife).
Now with their prize in tow the raiding party headed back into 'Mosby's Confederacy,' most likely traveling parallel to the Little River Turnpike. The raiders then gathered combustible materials and burned the railroad bridge crossing Cameron's Run. But Major Mosby wasn't finished in his quest to capture Governor Pierpoint. He would be back.
This 19-1/2" by 28-1/4" image size print, limited to 550, is signed by the artist.
Also available in the following Formats:
S/N Studio Canvas Giclee, Image Size 16-1/2" by 24", Limited to 75 - SOLD OUT
S/N Classic Canvas Giclee, Image Size 22-3/4" by 33", Limited to 80 - SOLD OUT All Limited Edition prints are signed and numbered (S/N) by the artist and include a Certificate of Authenticity. Limited Edition prints are restricted to a certain number. For example, if 400 prints are made from an original painting, once they’re gone, that’s it. There is no limit to the number of open edition prints of a particular painting. That’s why Limited Edition prints are more expensive — and more valuable to collectors — than "open" edition. Rare objects are more valuable. An Artist’s Proof (AP), generally, is the first 10% of the Limited Edition prints that come off the press. If the Limited Edition is 400 s/n, there would be 40 APs. This status is noted on the print. Collectors prefer APs because their value increases even more than a Limited Edition as time goes by. A remarque is a pencil drawing done in the white border area of an art print. The subject of the remarque is usually determined by the artist. Each remarque is a piece of original art which adds to the value of the print by making that particular print unique and exclusive from the rest of the prints in the edition. All Limited Edition artwork is subject to availability at time of order. Although seller strives to remain currrent as to inventory, seller reserves the right to cancel a sale if item is no longer available at time of purchase.
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