"At the Cutting Edge of Battle" - James Dietz - Korean War Military Art

The growing popularity of aviation art has brought before the public eye the works of a number of professional aviation artists. Among these one artist stands out for his unique approach to this genre. "The people, settings, and costumes are what make aviation history exciting and romantic to me." It is this feeling that makes James Dietz, and his artwork, so different from that of his contemporaries. Rather than simply illustrate aviation hardware, Dietz prefers to portray human involvement.

After graduation from Art Center College of Design in 1969, Jim began a successful career as a commercial illustrator in Los Angeles. The subject matter varied from automobiles to action scenes to romantic book covers. A steady flow of work from New York enabled the Dietz' to move to Seattle in 1978. It was at this time that he took his first concrete steps toward fulfilling his dream to specialize in aviation art, at that time an almost unheard of genre. Since then, aviation art has played an increasingly large part in his career. Jim Dietz's clients include Boeing, Bell Helicopter, Allison, and Flying Tigers, to name just a few.

Jim has also branched out into the fine arts field with his aviation art. A strong following has developed for his originals and a growing number of limited edition prints have introduced Jim's name to print collectors worldwide. Four of Jim's originals were put on display in the Smithsonian's National Air & Space Museum commemorating the 75th Anniversary of Naval Aviation; one of the paintings was presented by the Navy League to then Secretary of the Navy, John Lehman. A regular contributor to the Air Force Art Program, Jim's work has been featured on the cover of AIR FORCE magazine.

Jim Dietz has been honored with several gold medals from the Los Angeles Society of Illustrators and has won Best in Show in three successive years in the EAA Aviation Art Show. In 1988, at the second American Society of Aviation Artists forum, Jim was awarded the "People's Choice Award" for his painting selected by forum attendees. Major showings of Dietz's originals have recently been held at the EAA Museum and the San Diego Air Museum. His work is found in a number of private and corporate collections.

James Dietz Signed & Numbered Artist Proof Edition "At the Cutting Edge of Battle"

Rangers in Korea

This print is dedicated to all American Rangers of the Korean War. Their sweat, blood and sacrifice from the training fields of Fort Benning, Georgia, to the battlefields of Korea demonstrated the eternal truth that freedom is not free.

In the early morning hours of 25 June 1950, 90,000 North Korean Troops crossed the 38th parallel and began the invasion of South Korea. The Korean War had begun. The United States sent military assistance to the South Koreans and on 5 July 1950, the initial battle between Americans and North Koreans was fought. The North Koreans, often dressed in civilian garb, would infiltrate troops through American and South Korean line. These units would conduct raids and ambush operations in rear areas while the main force of the North Korean Army attacked in the front. In response to the North Korean tactics, the United States Army activated Ranger units to take the war to the enemy's rear area.

The first Ranger unit formed was the 8th Army Ranger Company which was activated in theater on 24 August 1950. In the United States, the Army Chief of Staff, General Collins, initiated a program to establish a Ranger Training Center at Fort Benning, Georgia. A rugged course of instruction was established under the supervision of men who had served in Ranger and Special Operations units in World War II. The volunteer students of the Ranger Course would train and fight in Company size units. For the first time in Ranger history all those beginning the Ranger Course must be qualified parachutists. Ranger training was particularly arduous with a 5 mile run to begin the day. Day and night parachute operations were followed by 15 to 50 mile foot marches with full field gear. Demolitions, hand to hand combat, land navigation and infiltration techniques were followed by live fire exercises. Night training was emphasized. Those who completed this rugged course of instruction received a black and gold Ranger tab. This was the first time in history that this difficult to obtain and much sought after award was made.

When the call went out for volunteers, 5,000 regular army paratroopers of the 82nd Airborne Division volunteered; 900 were selected and formed into the first eight Airborne Ranger Companies. As the war progressed, Infantry Divisions of the National Guard were activated. Volunteers from these divisions underwent Airborne training followed by Ranger Course. In total, 17 Airborne Ranger Companies were formed and served in the United States, Germany, Japan and Korea. The 1st, 2nd, 3rd, 4th, 5th and 9th Airborne Rangers were committed to combat in Korea, with the 1st Ranger company arriving in country on 17 December 1950. By early 1951 Rangers were fighting to the front of every American Army Division in Korea. They went into action by air, land and water. They made the first combat jump in Ranger history. Infiltrating enemy lines by foot and assault boat, they conducted raids and ambush operations and emplaced mines on enemy communications and supply routes. The Rangers spearheaded attacks, filled crucial gaps in defensive positions and were used in counterattack roles. One of every nine Rangers who fought in Korea died there.

This 26" by 13" image size print is signed and numbered by the artist and is ONLY available in the following format:

Artist Proof (limited to 100) - $350

All Limited Edition prints are signed and numbered (S/N) by the artist. Limited Edition prints are restricted to a certain number. For example, if 400 prints are made from an original painting, once they’re gone, that’s it. There is no limit to the number of open edition prints of a particular painting. That’s why Limited Edition prints are more expensive — and more valuable to collectors — than "open" edition. Rare objects are more valuable.

An Artist’s Proof (AP), generally, is the first 5% - 10% of the Limited Edition prints that come off the press. This status is noted on the print. Collectors prefer APs because their value increases even more than a Limited Edition as time goes by.

All Limited Edition artwork is subject to availability at time of order. Although seller strives to remain currrent as to inventory, seller reserves the right to cancel a sale if item is no longer available at time of purchase.