"Hold To the Last Round" - James Dietz - World War II Military Art

After graduation from Art Center College of Design in 1969, Jim began a successful career as a commercial illustrator in Los Angeles. The subject matter varied from automobiles to action scenes to romantic book covers. A steady flow of work from New York enabled the Dietz' to move to Seattle in 1978. It was at this time that he took his first concrete steps toward fulfilling his dream to specialize in aviation art, at that time an almost unheard of genre. Since then, aviation art has played an increasingly large part in his career. Jim Dietz's clients include Boeing, Bell Helicopter, Allison, and Flying Tigers, to name just a few.

Jim has also branched out into the fine arts field with his aviation art. A strong following has developed for his originals and a growing number of limited edition prints have introduced Jim's name to print collectors worldwide. Four of Jim's originals were put on display in the Smithsonian's National Air & Space Museum commemorating the 75th Anniversary of Naval Aviation; one of the paintings was presented by the Navy League to then Secretary of the Navy, John Lehman. A regular contributor to the Air Force Art Program, Jim's work has been featured on the cover of AIR FORCE magazine.

Jim Dietz has been honored with several gold medals from the Los Angeles Society of Illustrators and has won Best in Show in three successive years in the EAA Aviation Art Show. In 1988, at the second American Society of Aviation Artists forum, Jim was awarded the "People's Choice Award" for his painting selected by forum attendees. Major showings of Dietz's originals have recently been held at the EAA Museum and the San Diego Air Museum. His work is found in a number of private and corporate collections.

James Dietz Signed & Numbered Limited Edition Print "Hold to the Last Round"

On December 16, 1944, began the "Battle of the Bulge," considered by many, including Sir Winston Churchill, as the greatest battle ever fought by the American Army. The 28th Division was positioned in the very center of the German attack, just west of the Our River in a front of about 25 miles. Since this was supposed to be a quiet sector where no enemy action was expected, the three Regimental Combat Teams of the Division could only defend this wide area by establishing isolated strong points to block the main roads leading from East to West. The distances between positions prevented them from being mutually supporting and thus easily surrounded and cut off from reinforcement. In the unlikely event of an attack, the plan was to withdraw and delay.

When the German offensive opened, however, the order was changed to "Hold at All Cost," and thus each of the strong points had to fight its own battle. Rather than giving terrain for time as initially intended, it now became necessary to sacrifice lives for time until reinforcements from reserve units could be brought forward. The strong points of the Division, although surrounded, cut off, and facing increasing enemy forces as the fight went on, held for almost three full days, thus upsetting the German timetable. This gave the Allies time to move major reinforcements forward to Bastogne and St. Vith.

This print was taken from the magnificent painting depicting one of the great strong point actions which occurred in the town of Hosingen, Luxembourg, where "K" Company of the 110th Infantry Regiment and "B" Company of the 103rd Engineer Battalion (Combat) fought for the better part of three days. Although surrounded and greatly outnumbered, the soldiers of these two units held their ground with only a reinforcement of five tanks from the 707th Tank Battalion reaching their position. In this defense, these brave men inflicted an estimated 2,000 casualties upon their attackers and totally upset the German timetable. The 28th Division soldiers fought to the last round and were then authorized to break into small groups and escape as best they could.

The gallant defense of Hosingen, which is depicted in this painting, like the action at the other strong points of the 28th Division, sacrificed men for time. This effort clearly helped save Bastogne, only 18 miles to the west, and bought precious time for the Allies. The painting and the limited edition prints are dedicated to all the brave men of the 28th Division whose courage and sacrifice delayed the German advance and contributed greatly to the final outcome of the "Battle of the Bulge."

The artist and publisher with to express their gratitude to LTC Craig G. Nannos for his special technical assistance and to MG Gerald T. Sager, the Adjutant General of Pennsylvania, whose vision and support made this project possible.

This 30" x 15" Image Size Print, limited to 1000, is signed by the artist

All Limited Edition prints are signed and numbered (S/N) by the artist. Limited Edition prints are restricted to a certain number. For example, if 400 prints are made from an original painting, once they’re gone, that’s it. There is no limit to the number of open edition prints of a particular painting. That’s why Limited Edition prints are more expensive — and more valuable to collectors — than "open" edition. Rare objects are more valuable.

An Artist’s Proof (AP), generally, is the first 5% - 10% of the Limited Edition prints that come off the press. This status is noted on the print. Collectors prefer APs because their value increases even more than a Limited Edition as time goes by.

All Limited Edition artwork is subject to availability at time of order. Although seller strives to remain currrent as to inventory, seller reserves the right to cancel a sale if item is no longer available at time of purchase.